Tag Archives: Novel

The Catacombs

CatacombsThere will be no skipping parts—and no putting this book down until it has finished.

What can be scarier than wandering the catacombs under Paris in darkness? You will discover how horrific it can be below the city. The story plunges you underground with the four explorers, as they journey through the catacombs, pursuing a quest inspired by a mysterious video Pascal had found during a previous trip below.

Pascal and Daniele are both experienced cataphiles—the colloquial term for underground urban explorers of the catacombs. They guide Rob and Will through some treacherous terrain and tight conditions. The setting is described fully, and you will feel as if you are there in the tunnels as well, inching through every fissure crack. You want suspense and horror—look no further. The surprise will be not only whom they meet below, but also the shadows they each carry within themselves. As they trek, the characters naturally unfold their own stories.

The bizarre and shocking encounters underground trigger their reveries and innermost thoughts. The reader has a front row seat and glimpses into the past of Will, the main protagonist, as he reveals his nightmare while trying to come to terms with his own ghosts. The author does this with a smooth and compassionate brush.

This brings us right back to their horrendous situation that they are dealing with. We travel beside them, sharing their troubles; the deeper into the tunnels and the story, the bigger the shock becomes. Twists and turns are found not only through the catacombs, but the with each action decision the characters opt as well.

No more details told. I do not want to give anything away. Nevertheless, I have to disclose that I never expected the end as it unfolded. Not a fairy-tale ending but it is very much acceptable. Well done—suspenseful to the end!

This is book two in the series “A World’s Scariest Places”. The first “Suicide Forest” was also a great suspense thriller. For both of these stories, the series name is not enough to prepare you for what you will experience as a reader. You will learn new things about our world, and survive through our worst fears as well.

I have read both books in the series so far, and both are intense. These books have become my favorites, a modern writer surpassing King and Koontz. Jeremy Bates not only delivers maximum suspense and horror, but you are right there with the characters. The style of writing is honest, vivid, compelling and never a dull moment.

About The Reviewer

elizabeth_zgutaElisabeth Zguta is an advocate for Independent authors and publishers and encourages all writers to learn the skills needed for today’s book markets and to keep in touch with the new technologies.

​She is curious ​and always wants to know more about everything, and her attention goes to many places and topics. She considers herself a life learner, not only because of the courses she takes but also from the knowledge gained through life experiences. Nothing brings her more satisfaction than reading something new that sparks her imagination or connecting with other people regarding a topic. She is an Indie Author of supernatural, thriller suspense novels and writes blog posts.

Learn more about Elisabeth and her work at http://ezindiepublishing.com/

The Eagle And The Wolf

Eagle-and-wolfI have a confession to make. I read this book because I saw Peter Smalley’s name on it. The other books of his that I’ve read have been enjoyable, so I grabbed this without even reading the blurb. I saw a Swastika on it, and the Eiffel Tower, so I figured it was set in Paris in WWII, but beyond that I knew nothing.

It’s a story about Cecile, a French werewolf ballerina spy who falls for Klaus, a German officer who’s stationed in Paris after his plane is shot down and he can no longer fly. She’s not happy about being a werewolf, or a spy, or falling in love with the German officer, but it all happens to her anyway.

The pacing of the story is much slower than the stories I normally read. I think I was about 20-25% of the way through the story before the really interesting stuff started to happen. But the slow build worked really well in this story, and felt authentic.

In fact, it almost felt like the book was conforming to my own thoughts and questions as I went through it. An example: at one point I thought, “I’m surprised none of these German officers are being reassigned to other areas, where the war is going badly.” The next time I picked up the book, one of the officers headed out of Paris!

Here’s something else that I loved about the book, and I don’t think you will ever hear me say this about another book – I loved the werewolves. I HATE werewolves most the time, because they’re always the same mindless monsters when the moon comes out, they tear everyone apart, wake up naked the next day, and cry in a forest, their bodies covered in blood. Blah, blah, blah, they’re boring. And when the werewolf aspect was first introduced in this story, I had a flashback to when I was a teenager and went to see the movie An American Werewolf in Paris. I remember exactly nothing about that movie except that I hated it.

But the way werewolves were portrayed in this book was refreshing. While there is that “uncontrolled animal” aspect (especially for the males, it seems), it’s not always there. The wolf can be bargained with and controlled (with extreme effort). It’s almost an aside for the story. The main focus is on the occupation and the relationship between Cecile and Klaus, and the werewolf angle is a bit of flavour.

This story was thoughtfully put together with a real eye for all the important details that make characters and settings feel true. I wouldn’t be surprised to learn that the authors had gone back and looked through the phases of the moon to get the actual dates of the full moon right, because everything else is so authentic.

Aside from some minor issues that can be overlooked (“and and” or an extra word/missing word here and there), I really only have one thing that bothered me, and that was that the ending wasn’t an ending; it’s just a pause until the next book. When I got to about the 97% mark, I started dreading that was where the book was going to go. It didn’t feel like it was wrapping up at all. For a first-in-series book, I like more closure so I can stop and say, “Do I want to go on with this series?” and not feel pressure either way. Whether that ending is a triumphant victory, or a twist and failure doesn’t matter so much as the fact that it should end, with some extra ideas to make you want to read more. That said, I’m not sure if there was another spot they could have ended it cleanly, so maybe it needed to (not) end this way.

After thinking about the issue for a while, I think I nailed down why the non-ending here bugs me so much. It’s because the book doesn’t say it’s part of a series on the cover.

In this case I enjoyed the story enough that I want to see where it goes next, so I can let the lack of an ending slide. But I could see how it might annoy other readers who aren’t as invested in the tale.

About the Reviewer

ToxopeusRyanmedHusband, father, and researcher, Ryan Toxopeus spends his free time working on his epic fantasy trilogy, Empire’s Foundation. He started writing the first book, A Noble’s Quest, in 2010 and fell in love with all aspects of storytelling. He focuses on fast paced, character driven plots. His motto: “If I’m bored writing it, others will be bored reading it.”

Learn more about Ryan and his work at https://prcreative.ca/ryan/

DEAD BEEF

dead-beefDead Beef is a terrible title. I wasn’t too sure I’d want to read it although I’ve read Eduardo Suastegui’s books, so decided to take a chance.

It turns out the books is pretty darned good, and I’ll read Pink Ballerina (another terrible title) since it’s part of the same series called Our Cyber World.

Enough on the titles. Mr. Suastegui can title his books however he wants.

My duty as a reviewer is to assure anybody considering reading this book they will not be disappointed. I can do that. The author has an extensive knowledge of computing and hacking. While I know some of what he describes is not today’s reality, he can make it believable and I trust his future vision is pretty accurate.

I also like the main character, Martin Spencer, being surrounded by a bevy of beautiful women. But like in the later Bond movies, they’re very dangerous women and do a heck of a job protecting Martin while he goes to cyber war against his best friend, Julian. Why is Julian being the bad guy here? He might not have much to say about it, but he still dukes it out via internet, satellite, and keyboard to his best ability. Will Martin save the world despite his friend’s best efforts?

Read the book to find out.

About The Reviewer

MarvaDasef200Marva Dasef is a writer living in the Pacific Northwest with her husband. Retired from thirty-five years in the software industry, she has now turned her energies to writing fiction and finds it a much more satisfying occupation.

Marva has published more than forty stories in a number of on-line and print magazines, with several included in Best of anthologies. She has several already published print and ebooks, and is now turning them into audio books. Six audio books are currently available.

Learn more about Marva and her work at http://mgddasef.blogspot.com/

Suicide Forest

Suicide_ForestHeart pounding suspense!

I strongly recommend this book for suspense seekers, you will definitely be entertained. Revealed through the eyes and voice of Ethan, who deals with the strange and gruesome occurrences that he, and six other companions, experience in Aokigahara Jukai – the Sea of Trees, or better known in Japan as the place to go, to commit suicide.

Suicide Forest -It’s an intriguing title and it only gets better-Jeremy Bates wrote a vivid novel, and pulls the reader into the world under the trees, a woven canopy of twisted boughs and an imaginative macabre forest.

The protagonist’s back story unfolds nicely with bits and pieces of his experiences as an English teacher in Japan. The tension picks up quick, and the companions roll from one ordeal to another, in a well-paced sequence of events, responding to each tribulation in creative ways. They all react with their own voice and tone, bringing an added dimension to the storyline. Throughout the book there is a true sense of place, and of cultural backgrounds with the descriptions of the music, food and drinking customs, and boundaries in relationships-all defining our humanity. The differences between the characters, as well as their common threads, are exposed.

The cast of characters begins with Ethan and his girlfriend Melinda, both English teachers in a foreign country. Her friend John Scott, an American soldier, tags along. Also another teacher and Ethan’s co-worker Neil, and Tomo a young Psychology major-they then meet up with two new acquaintances, Ben and Nina, who are Israeli. All of them are from different backgrounds and cultures, and they each have their own personal struggles. A common theme they do share-thoughts about suicide, or at least about death, for various individual reasons. The seven companions hike into the woods following lifelines of ribbons, and set out to camp for a night. Not everyone comes out.
They deal with the situations that arise, until you are led to think there is no place to turn-or hope left. But Ethan finds a way. I don’t want to give anything away but an unexpected turn leads the reader into a shocking end…

I never saw it coming. I believe, humans are the worst monsters. You have to read the book to understand… As a reader, I finished the story satisfied, with lingering thoughts about the situation the book presented. I am always happy reading a story that makes me think and learn new things, and Jeremy Bates did an excellent job of sharing his added flavor to the story, with his own experiences in travel, and obvious research. I strongly recommend this book for suspense seekers, you will definitely be entertained.

About The Reviewer

elizabeth_zgutaElisabeth Zguta is an advocate for Independent authors and publishers and encourages all writers to learn the skills needed for today’s book markets and to keep in touch with the new technologies.

​She is curious ​and always wants to know more about everything, and her attention goes to many places and topics. She considers herself a life learner, not only because of the courses she takes but also from the knowledge gained through life experiences. Nothing brings her more satisfaction than reading something new that sparks her imagination or connecting with other people regarding a topic. She is an Indie Author of supernatural, thriller suspense novels and writes blog posts.

Learn more about Elisabeth and her work at http://ezindiepublishing.com/

Escape Plan

escape_planEscape Plan is the sequel to Overlook, both by Elizabeth Hein. While it can be enjoyed out of sequence, I recommend reading Overlook first. The two books make a single story if read in order, a satisfying story about revenge, justice, and finding one’s true path in life.

Overlook is the premiere neighborhood in an imaginary North Carolina town in the 1970s and Stacia rules it with an iron fist inside a kid glove. Property values and family values are one and the same, and woe be to anyone who upsets the status quo with unseemly drama or tragedy in the Stepford-like lakeside community.

Things begin to change when Stacia’s best friend Kitty becomes the center of a particularly unsavory family situation in the shape of a philandering husband who fails to keep up appearances. More than one of the Lookers is revealed in a different light as Kitty’s life falls apart and Stacia decides where her loyalties lie.

Book two picks up in the immediate aftermath of the events at the end of book one.

There are spoilers for Overlook in the rest of this review. You’ve been warned.

Kitty Haskell kills her husband (believe me, if you read book one, you’ll think he deserved it and be cheering for her to get away with it). Escape Plan is a book that dares to say: Now what? Like finding out what happens to the princess after the prince comes, this book shows that taking action against your troubles might just land you in an entirely new pool of hot water.

Not getting caught is only one of her problems. It’s the 70s and Kitty doesn’t have a job, and Seth left them in debt. There’s no insurance money since he’s only missing legally speaking, not dead. Heck, she doesn’t even own the car she was driving.

She’s a social pariah in Overlook, unable to keep up now that her finances are constrained and her life is in disorder. People she’d thought of as friends turn away from her completely. And there’s the matter of that mistress, the one her husband planned to leave her for. She’s not just disappearing.

I really enjoyed watching Kitty come into her own in this novel. I liked her in Overlook, but now I love her. I was surprised by many of the twists of fate in Kitty’s life and truly satisfied by the ending.

I recommend this book for readers who enjoy realistic, but dramatic stories and strong character arcs. It’s also interesting as a period piece and a commentary and the changing roles of women in the 1970s.

About The Reviewer:

BRYANT-CroppedSamantha Bryant is a middle school Spanish teacher by day and a mom and novelist by night. That makes her a superhero all the time. Her debut novel, Going Through the Change: A Menopausal Superhero Novel is now for sale by Curiosity Quills.

Learn more about Samantha and her work at http://samanthadunawaybryant.blogspot.com/

Liquid Gambit

81jH9oa5p1LI am already a fan of Milani’s, and I’ve always had a soft spot for werewolves who are not teen/angst/love characters, so I started off with high hopes, and I was overjoyed that the potential for a fun read was not only met, but exceeded. This was a good story that caught and transported me into a taut and well-paced story.

OK, so the protagonist was not a werewolf of lore but rather a Lupan, a genetically modified being with genes of 20-some predators that had been crafted to make a race of super-warriors. Stuck running a bar on an independent station without extradition treaties with the worlds where he has a price on his head, Rick is safe from their reach as long as he stays to the station. But is he safe even there with station security breathing down his neck and searching for an excuse to take him down?

With the obvious nod to Casablanca, Milani takes the story further, exploring subjects such as slavery and how people react to it. This was a fun ride, but it also had an underlying current of serious philosophy that lent the story more than a bit of gravitas.

I totally enjoyed this story, and I wholeheartedly recommend it to others.

About the reviewer:

larryscatJonathan Brazee is a retired Marine infantry colonel who after years of writing non-fiction, wrote his first novel while serving in Iraq. He independently published it, hoping to sell a few copies to friends and family, and was pleasantly surprised when the book gained traction among the general reading public. Twenty-three novels later, he is now winding down his post-military career overseas to become a full-time writer. A majority of his books have a military bent in science fiction, paranormal, historical fiction, and general fiction, but he has also written non-military scifi and paranormal. He writes three to four hours each day with the help (or despite) the attention of two rescue cats who insist on sitting on his lap or keyboard.
Jonathan is a member of the Science Fiction Writers of America, the US Naval Academy Alumni Association, the Disabled Veterans of America, and is an officer in the VFW’s Department of the Pacific.

Learn more about Jonathan and his work at http://www.jonathanbrazee.com

Cold Comfort

cold_comfortCold Comfort by E.W. Abernathy is a powerful story, an exploration of the intersections of mental health and law, and the ways that people are helped and harmed in the name of the public good.

John Colucci was nineteen years old when he was declared incompetent and committed to a mental institution after being involved in a violent crime. The problem is that he doesn’t actually remember what happened. The story begins when he is released after eight years of institutional life, into the care of his sister and brother-in-law. His sister doesn’t know what to do with him, and his policeman brother-in-law is convinced he’s dangerous and should still be locked away. Then, John falls in love…with a journalist. As the mystery of what happened eight years ago unfolds, Abernathy keeps the plot tense and leaves plenty of room for doubt. Red herrings had me second-guessing my own theories as I read.

I recommend it for readers who like psychological thrillers and underdogs.

About The Reviewer:

BRYANT-CroppedSamantha Bryant is a middle school Spanish teacher by day and a mom and novelist by night. That makes her a superhero all the time. Her debut novel, Going Through the Change: A Menopausal Superhero Novel is now for sale by Curiosity Quills.

Learn more about Samantha and her work at http://samanthadunawaybryant.blogspot.com/

Virtual Identity

Virtual_IdentityRemember the end of “eXistenZ”? In the 1999 movie starring Jennifer Jason Leigh and Jude Law, they—and we—left that final scene unsure if it was yet another stage in the virtual reality presentation. Jude Law’s character, “virtual reality virgin” Ted Pikul, was pulled and shoved from one insanity to the next by his ignorance of whether he was in a real world or in the virtual reality game.
The entire story of Sandra Tomek and Rodrigo Ochoa in “Virtual Identity” has that same “still in the game” flavor.
You know the queasy thrill when the dead Brian O’Blivion showed up for a TV interview in 1983’s “Videodrome”? The appearance of the virtually-real, yet physically-deceased professor marked the point in the movie when what you knew was real started to spin out of your grasp. In “Virtual Identity,” that point occurs somewhere around the middle of Chapter Two. The James Woods character in “Videodrome,” Max Renn, at least has Harlan, with his condescending “Patronne,” to tell him why he has lost the boundary between reality and television.
Sandra Tomek has no such clue; she has slipped from a real existence to the shifting sands of virtual reality with scarcely a murmur of explanation. In fact, the core story-line of the novel seems to be her search for any stable, truly-real place to stand. Is Rod Ochoa an antagonist? a reluctant co-conspirator? a boyfriend caught in the same sting as Sandra herself? Is Sandra herself the villain, a terrorist-traitor selling secrets, or the innocent pawn of a cloned virtual self? Perhaps she is something entirely unsuspected, defined by shadowy “others” who have trapped her in this VR simulation.
Each new turn in the tale brings Sandra closer to madness, insanity of the kind that Max Renn or Ted Pikul would well understand: “It made her think about who she was, or thought she was, or believed she ought to be, or others expected her to be. Could she or anyone else identify the real Sandra? Did such a person even exist?”
The ongoing confusion about what is real and what is part of the VR simulation, for the reader no less than for Sandra, draws you along. You want to resolve the mystery. You want to find the edible core of this artichoke you are peeling leaf by pointed leaf, but each new layer reveals only another spiny conundrum. At one point, Sandra expresses her frustration with the impossibility of recognizing “real” reality while still wrapped in the haze of virtual-reality madness. “What’s wrong?” she asks Rod, then, “How would we even know?”
This is Volume 9 in the Our Cyber World series, and it includes characters we’ve met before. The focus is so inward, though, that you scarcely need to be familiar with them to be enmeshed in Sandra’s internal quest for identity. In the end, she may find a place to be herself.

How real that terminal identity may be, however, is left as an exercise for the reader.

About The Reviewer:
DrPat_imageGraduated from Colorado School of Mines with a degree in Geological Engineering (mining geology/economics). Married to a CSM mining engineer for 45+ years now. Has 10 brothers and sisters, could fill a small concert hall with nieces, nephews, and their children.

Lived and/or worked in: UK; Republic of South Africa; 47 of 50 US states; three provinces of Canada; Germany, Holland, and Switzerland. Have been underground in mines on three continents.

Published two editions of his journal of inspirational quotes, “The Social Calendar.” Currently co-writing the non-fictional “Meant To Be Here,” the memoirs of a most interesting man.

Writes flash fiction weekly as one of the Congress of Rough Writers at Carrot Ranch.

Learn more about Pat at “DrPat Reads”

Peace Lord Of The Red Planet

PeaceLordSteven H. Wilson always comes at a story from an angle that surprises, even to those of us who have learned to love his work. In this case, what presents as a pastiche of and homage to ERB’s “John Carter of Mars” books (yes, the ones that the recent movie was loosely based on) turns out to be something else entirely if you so much as breathe lightly on the surface.

Initially, and unexpectedly, I found Peace Lord off-putting–the attention to character detail was so exact that I found it jarring and uncomfortable, and I remember thinking several times, particularly through the opening chapters, that I would have liked it better when I was a believer than I did now, as I’d have found the evangelical aspects of it much more moving rather than merely interesting and occasionally annoying. Wilson, you see, nails the devotional Quaker mindset exactly. Unless you’ve been there, or have read a lot of early Quaker literature, it’s difficult to convey just how well he pulls it off. He does it so well that I began to worry if it wasn’t a Quaker book for Quaker (or at least self-consciously Christian) audiences.

However, sometime around chapter seven a wheel clicked in my head, as so often happens to me with Steve Wilson’s more philosophically inclined stories, and it dawned on me that I hadn’t quite cottoned on to what was he was up to.

Rather than being a Christian (TM) book as one comes to expect from folks like Peretti, LeHaye, or all but Lewis’s best (i.e. where the narrative is a thin veil for grinding a doctrinal axe), Wilson has written a spiritual epic.

The central concern, as with Lewis’s “Till We Have Faces” or Heinlein’s “Job,” is the spiritual and moral maturity of the main character (Shep). In facing challenges to his faith and worldview, Shep is forced to sort between his underlying moral principles and the rules that he’s accepted as their legitimate expression–and, kudos to Wilson for choosing a Quaker of that era, as the main character’s journey is very believable for a man of integrity raised on the writings of George Fox.

I really don’t have a lot of patience any more for evangelism–enough years in seminary and many more of intense personal study have made me a curmudgeonly cuss when anyone talks to me about the surface aspects of their religion (yes, I know the gospel, and the five pillars, and the eightfold path–been there, done that), but what I do have an abiding fascination for is integrity in the midst of ambiguity and contradiction. The thing about Wilson’s works that can still bring me down in tears is the sublime manner in which he navigates this territory, in one way or another, through his novels and some of his longer serials.

My only real gripe with the book is, at the end, a minor one: Shep’s internal lexicon is peppered with words (and, more frequently, idioms) that simply didn’t exist or weren’t used the way he does until the late 20th century. A lot of authors make this mistake–it only sticks out here because the verisimilitude otherwise present in the book is so very well done that these minor gaffes tossed me out of the story.

But if you’re not the kind of person that reads the OED for fun (I am, but I’m also comfortable with the fact that I’m OCD for the OED and weird enough to admit it in public), I highly doubt you’ll notice.

Peace Lord that kept me mentally chewing on its themes and puzzles for a good week afterward. This is, by my lights, exactly what science fiction is for, and kudos to Wilson for diving in with both feet in a way that is guaranteed to court offense and discomfort for everyone in the audience. That was my experience with Taken Liberty (his previous novel), and it was my experience with Peace Lord. I sincerely hope he’s working on another one.

About The Reviewer:

dan_headshot_squareWHILE STAR WARS and STAR TREK seeded J. Daniel Sawyer’s passion for the unknown, his childhood in academia gave him a deep love of history and an obsession with how the future emerges from the past.

This obsession led him through adventures in the film industry, the music industry, venture capital firms in the startup culture of Silicon Valley, and a career creating novels and audiobooks exploring the worlds that assemble themselves in his head.

His travels with bohemians, burners, historians, theologians, and inventors led him eventually to a rural exile where he uses the quiet to write, walk on the beach, and manage a production company that brings innovative stories to the ears of audiences across the world.

Learn more about Dan and his work at http://jdsawyer.net

The Maker’s Mask

makersmaskWhile it is easy to draw parallels between this novel and various classics of both science-fiction and Regency romance, to do so would be to give as incomplete a picture as a review of a restaurant containing a list of side dishes that other restaurants have also served. As with a fine meal, this book deserves to be judged on what Wells has done with the ingredients.

Far enough in the past that it has been lost from history, colony ships landed on Requite. Over the centuries the ships have become Spires, feudal city-states ruled by warring families. When Tzenni Boccamera’s sister is captured by a rival Spire she sets out on a secret mission to rescue her. But will her ability to not only maintain but improve the fragmented technology that remains be enough to survive in a society built on polite assassinations?

The background detail of the world are well realised. From the first moment, Tzenni uses a genetically-keyed lock to enter a castle, the feeling of ultra-technology lost to physical and social degradation is pervasive. It is not merely plausible that a civilisation with genetic manipulation and computer assisted manufacturing might have an underclass, it would seem implausible if there were not oppressed peasantry.

The book contains several plot arcs in addition to Tzenni’s search for her sister. Some intertwine closely with the search, drawing Tzenni away from her goals, whereas others appear not to touch it at all. This gives a feeling both that nothing happens in a vacuum and that even supporting characters are the subjects of their own narratives. These interlocking plots all draw the reader forward, maintaining a sense of tension without creating a feeling of being hurried or left behind.

It is this momentum that also produces the only jarring note in the work. This novel was originally the first half of a longer work and so – while Wells has done an excellent job of picking a point to split the halves and resolving the majority of the active plot arcs – the reader might find the end comes a little earlier than expected. However, this issue can easily be solved by obtaining the second volume, so is relatively minor for those afflicted with neither a lack of patience nor a barrier to purchase.

Each chapter opens with a short quote from an in-world classic. As well as adding much to both the reader’s understanding of the world and their immersion in it, these often serve to provide a counterpoint to the ongoing narrative, allowing Wells to add a note of comedy where it would be unrealistic for characters to be light-hearted or reveal how hollow social convention is without compromising a character’s determination to fit in.

Corpses make bad paramours, but better than average confidants
-Ir-Marid Boccamera (303-380 S.F.) The Assassin’s Pillow-Book

The sense of ongoing stories beyond the events explicitly covered by the novel is skilfully built upon by characterisation that avoids objectification. As with the novel as a whole, it would be easy to describe Tzenni with a few labels, but her actions are driven by her being Tzenni, not her being a woman or a noble. Where a character appears to be more simplistic, Wells subverts the portrayal later, revealing it is the character using a stereotype for their own purposes. However, this revelation is only for the reader; the characters display the very realistic dichotomy of adopting masks for their own benefit while assuming other people are part of broad groups.

This blindness is exploited particularly well in the burgeoning romance plots. While the reader knows the characters’ intentions, they are constrained by a lifetime of social propaganda and a fear of being exploited. Combined with a world strong enough to make social pressure enough to keep people apart, this makes it genuinely uncertain whether or not the couples will end up together.

The same deft hand is used on the characterisation of things that are not familiar to the reader. Unlike some books containing polyamory or other-sexed characters, the sexual politics are not at the forefront of description; while both influence individual interactions and goals, the characters do not focus on what is – to them – a mundane part of their society.

I enjoyed this novel immensely. I recommend it to both readers seeking decayed remnants of ultra-technology and those who enjoy social manoeuvring.

About The Reviewer

Dave_Higgins

Dave Higgins writes speculative fiction, often with a dark edge. Despite forays into the mundane worlds of law and IT, he was unable to escape the liminal zone between mystery and horror. A creature of contradictions, he also co-writes comic sci-fi with Simon Cantan.

Born in the least mystically significant part of Wiltshire, England, and raised by a librarian, he started reading shortly after birth and hasn’t stopped since. He lives with his wife, two cats, a plush altar to Lord Cthulhu, and many shelves of books.

It’s rumoured he writes out of fear he will otherwise run out of books to read.

Learn more about Dave and his work at http://davidjhiggins.wordpress.com/